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近日,我校艺术学院、外国语学院何成洲教授应邀担任国际知名学术期刊、A&HCI检索期刊New Theatre Quarterly (新剧场季刊,剑桥大学出版社)的“特约主编”(Contributing editor)和编委。何成洲为教育部长江学者特聘教授、欧洲科学院外籍院士、教育部艺术学理论类教学指导委员会副主任,主要研究领域为:英美文学与文化、欧美戏剧、比较文学、批评理论。在国内外出版中英文学术著...
2018年12月17日揭晓的Music Theatre Now大奖,由来自5个国家的评委组成的国际评审团历时6个月,从来自全球55个国家的436件现代歌剧及音乐剧场作品中选出10部授予MTN2018大奖。中央音乐学院作曲系研究生一年级学生李景元(指导老师:郭文景教授)教授的室内歌剧作品《地狱变》(Jigokuhen)入选,这是唯一一部来自东亚地区的获奖作品。10位获奖者将于2019年5月鹿特丹国际...
Documentation of the Baroque Theatre at the Cesky Krumlov Castle     documentation  theatre  3D model  visualization  animation       font style='font-size:12px;'> 2015/3/6
The baroque theatre of the Cesky Krumlov castle represents a baroque stage in its mature form. The original theatre fund is preinformation on the theatre life from 17th to 19th centuries. Only one roy...
Israel's Theatre of Confrontation     Israel's Theatre of Confrontation  Six-Day War       font style='font-size:12px;'> 2014/10/21
Following Israel's victory in the "Six-Day War" a sense of jubilation permeated Israeli society. Far from participating in that mood, Israeli playwrights took an aggressively critical stance, objectin...
《Asian Theatre Journal》     Asian Theatre Journal  Archives of Asian Art  Asian Perspectives  Asian Theatre Journal       font style='font-size:12px;'> 2014/1/13
Asian Theatre Journal is dedicated to the performing arts of Asia, focusing upon both traditional and modern theatrical forms. It aims to facilitate the exchange of knowledge throughout the internatio...
This article outlines the scope, editorial choices, structure and research potential behind two major AHRC-funded projects which came to fruition at the end of 2008 offering a major contribution to th...
Converse with the Audience in Restoration Theatre     Converse  wit  repartee  aside  soliloquy  perception  confidant  participant        font style='font-size:12px;'> 2009/11/27
This article argues that the Restoration theatre audience were partners in an ongoing conversation, using conversation in the way that James Thompson suggests when writing of Wycherley’s plays: We nee...
Crying fire in a theatre:auden’s harlequinades     Crying fire  auden’s harlequinades  theatre       font style='font-size:12px;'> 2009/10/21
W. H. Auden's writings engage in a self-conscious frivolity which is always alert to the serious. The playfulness of his language mirrors the vulnerability of the community it formulates, but his writ...
Born on Long Island, New York, Cory Stearns began his classical training at Seiskaya Ballet with Mme. Valia Seiskaya. At fifteen, he participated in the Youth America Grand Prix and was offered a full...
Daniil Simkin was born in Russia to a ballet family. In 1990, the family left for the West and, after several international engagements, settled in Wiesbaden, Germany, where Simkin first appeared on t...
Born in Moscow, Russia, Gennadi Saveliev began his ballet studies at the Bolshoi Ballet School at the age of nine. At 18 he joined the Bolshoi Ballet Grigorovich Company where his repertoire included ...
Born in Miami, Florida, Craig Salstein began his training at the Ballet Academy of Miami at the age of eight and continued his training with the Miami City Ballet. In 1995, he was the Grand Champion o...
A native of Montevideo, Uruguay, Maria Riccetto began her ballet studies in 1990 at the Uruguay National Ballet School. In 1995, she was hired as a professional dancer by the national ballet company, ...
Jared Matthews was born in Houston and received his early ballet training there under the guidance of Victoria Vittum and Gilbert Rome. Mr. Matthews was awarded a full scholarship to study at North Ca...
Born in Madrid, Spain, Carlos Lopez began his ballet training at the age of 11 with Victor Ullate at Ullate抯 Dance School. His teachers also included Karemia Moreno, Atilio Labis, Willie Burman and Zo...

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