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Venerable Style, Form, and the Avant-Garde in Mozart’s Minor Key Piano Sonatas K. 310 and K. 457: Topic and Structure
Venerable Style From the Avant-Garde Mozart’s Minor Key Piano Sonatas K. 310 and K. 457 Topic and Structure
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2014/10/20
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
Associative Structure in the Perception of Music:The Case of Turkish ‘Yanık’ (scorched)
Perception of music associative structure the bitter-sweet feeling Turkish ‘yanı k’(scorched)
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2008/10/30
The term yanık, a desired quality of
music, is one of the most important aspects of
Turkish response to music in terms of the
perception of meaning. As a discourse of sentiment,
yanık ...
Review of Peter H. Smith, Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet
Brahms expression meaning musical structure
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2010/3/24
[1] Despite its being published as part of a series devoted to musical meaning and interpretation, Peter Smith’s Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Q...
Review of Lawrence M. Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis
Lawrence M. Zbikowski Cognitive Structure Conceptualizing Music
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2010/3/25
[1] Conceptualizing Music attempts to explain musical understanding in the face of music's experiential ephemerality. This experience of music is illustrated at the beginning and end of the book by Ch...
Structure and Perception in Herma by Iannis Xenakis
Xenakis Herma set theory
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2010/3/29
This paper presents a detailed analytical discussion of Herma (1961) for solo piano by Iannis Xenakis. The model of the work as a set-theoretic demonstration, advanced in the writings of the composer,...
Review/Article of Miguel A. Roig-Francoli's article "Harmonic and Formal Processes in Ligeti's Net-Structure Compositions," Music Theory Spectrum 17/2 (Fall, 1995), 242-267
Ligeti harmony form proportions golden section Ramifications Lux aeterna Chamber Concerto Second String Quartet
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2010/4/21
Miguel A. Roig-Francoli's recent article, "Harmonic and Formal Processes in Ligeti's Net-Structure Compositions," Music Theory Spectrum 17/2 (Fall, 1995) discusses three compositions by Gyorgy Ligeti ...