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here have been significant debates on gaps between filmmakers and film scholars. Film scholars have been critical of dominant representations that tend to overlook classist, sexist, and ethnocentric t...
Perceiving scenes in film and in the world. In J. D     Perceiving scenes  film  world. In J. D.       font style='font-size:12px;'> 2015/8/13
Perceiving scenes in film and in the world. In J. D.
Attention and the Evolution of Hollywood Film     attention  cinema  film  visual momentum  1/f       font style='font-size:12px;'> 2015/8/13
Reaction times exhibit a spectral patterning known as 1/f, and these patterns can be thought of as reflecting time-varying changes in attention. We investigated the shot structure of Hollywood films t...
Visual Activity in Hollywood Film: 1935 to 2005 and Beyond     film  motion  movement  frames  shots       font style='font-size:12px;'> 2015/8/13
The structure of Hollywood film has changed in many ways over the last 75 years, and much of that change has served to increase the engagement of viewers’ perceptual and cognitive processes. We report...
Cinematic tradition suggests that Hollywood films, like plays, are di-vided into acts. Thompson (1999) streamlined the conception of this large-scale film structure by suggesting that most films are c...
The changing poetics of the dissolve in Hollywood film     changing poetics  dissolve  Hollywood film       font style='font-size:12px;'> 2015/8/13
Most films contain many shots knit together by several types of transitions,andbyfarthemostprevalentisthecut.Overthelast70years, fadesandwipes have become increasingly rare. Dissolves have also dimini...
Quicker,faster,darker:Changes in Hollywood film over 75 years     film  motion  luminance  shot lengths       font style='font-size:12px;'> 2015/8/13
We measured 160 English-language films released from 1935 to 2010 and found four changes. First, shot lengths have gotten shorter, a trend also reported by others. Second, contem-porary films have mor...
On Shot Lengths and Film Acts:A Revised View     Shot Lengths  Film Acts  Revised View       font style='font-size:12px;'> 2015/8/13
In a recent issue of Projections, Cutting, Brunick, and DeLong (2011b) reported that the structure of film acts—the four relatively equal-length stretches of film determined by the progression of the ...
The narrative of a fi lm is oft en cited as the driving force for viewers’ attention to and engagement in a fi lm. Th e narrative is also conceptually the most vivid for fi lm viewers; it is not oft e...
Mapping narrative space in Hollywood film. Projections     Mapping narrative  space  Hollywood film  Projections       font style='font-size:12px;'> 2015/8/13
Popular movies are curiosities from the standpoints of perception and human evolution. To be sure, static pictures—particularly photographs—are also curiosities since they flatten, shrink, and photome...
Film through the Human Visual System:Finding Patterns and Limits     Film  Human Visual System  Finding Patterns  Limits       font style='font-size:12px;'> 2015/8/13
Over time, filmmakers have changed the way they realize the structure of their films. Film structures have progressively developed to cater to patterns present in human attentional systems.Shot struct...
Animated films present a unique set of challenges and questions to scholars examining films from a cognitive perspective. When the confines of the real world don’t exist as they do in live action film...
DEVELOPING AN ENVIRONMENTAL STRATEGY FOR UK FILM     ENVIRONMENTAL STRATEGY  UK FILM       font style='font-size:12px;'> 2015/3/4
The services and resources which a sound environment provides are being severely affected by human activities, ultimately affecting both quality of life and the longevity of business.
Barriers to Diversity in Film     Film  Barriers to Diversity       font style='font-size:12px;'> 2015/3/4
The review has indicated that under-represented groups in the film industry are not always equitably represented or treated, whether in the workforce, among audiences, or in portrayal.
Research and Policymaking for Film – A Symposium     A Symposium  Film       font style='font-size:12px;'> 2015/3/4
Keith Randle welcomed delegates on behalf of the University of Hertfordshire and noted that this was a unique event in that it had such strong representation both from the academic world, as well ...

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