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Romance, Insularity and Representation: Wong Kar-wai’s In the Mood for Love and Hong Kong Cinema
Hong Kong Hong Kong cinema Wong kar-wai Self-Representation
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2009/12/4
Wong Kar-wai’s film In the Mood for Love (2000) is set in Hong Kong in the early 1960s and explores the predicament and reactions of a female character (So Lai-chen) who experiences a personal crisis ...
Western Edges: Evil Aliens and Island Otherness in British Cinema
British islands cinema Horror Wales
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2009/12/4
The British film Evil Aliens (2005), directed by Jake West, offers a vivid representation of a western British island as a place of liminal otherness. It builds on a British cinematic tradition of rep...