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Ficino's Musica Humana: Musico-Astrological Improvisation
Ficino's Musica Humana Musico-Astrological Improvisation
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2014/10/20
The improvvisatore tradition in Florence Italy during the second half of the quattrocento featured poet-musicians who sang poetry for music (poesia per musica) accompanied by the lira (da braccio). Th...
Intonation in the Aural-Skills Classroom
Intonation Aural-Skills Classroom
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2014/10/20
The goal of the thesis is to explain intonation perception and cognition, as well as the vocal mechanism and techniques, to help aural-skills instructors teach vocal intonation skills to students who ...
THE FORM OF THE PRELUDES TO BACH’S UNACCOMPANIED CELLO SUITES
THE PRELUDES BACH’S UNACCOMPANIED CELLO SUITES
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2014/10/20
This thesis proposes a methodology for understanding the form of a Baroque prelude, particularly the preludes to the Six Suites for Unaccompanied Violoncello written by Johann Sebastian Bach. Four mus...
Th affctive properties of keys in instrumental music from the late nineteenth and early twentieth centuries
keys in instrumental music the late nineteenth early twentieth centuries
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2014/10/20
The concept of affective properties of keys is based on the assertion that different tonalities are able to provide particular moods to music. Discussions regarding the existence and validity of this ...
"A Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella
A Music Unquestionably Italian in Idiom Nationalism an Evolutionary Process the Music of Alfredo Casella
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2014/10/20
Little scholarship exists about the extent of musical nationalism in the works of twentieth-century Italian composer Alfredo Casella (1883-1947). Casella’s output, which is divided into three stylisti...
Memory and Production of Standard Frequencies in College-Level Musicians
Memory and Production Standard Frequencies College-Level Musicians
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2014/10/20
This thesis examines the nature of long-term absolute pitch memory—an ability traditionally assumed to belong only to absolute pitch (AP) possessors—by testing for evidence of this memory for “standar...
A Hierarchical Approach to the Analysis of Intermediary Structures Within the Modifid Contour Reduction Algorithm
A Hierarchical Approach Intermediary Structures the Modified Contour Reduction Algorithm
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2014/10/20
Robert Morris’s (1993) Contour-Reduction Algorithm—later modified by Rob Schultz (2008) and hereafter referred to as the Modified Contour Reduction Algorithm (MCRA)—recursively prunes a contour down t...
FRANZ LISZT'S SETTINGS OF “WAS LIEBE SEI?”: A SCHENKERIAN PERSPECTIVE
FRANZ LISZT'S SETTINGS WAS LIEBE SEI? A SCHENKERIAN PERSPECTIVE
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2014/10/20
Several scholars of Franz Liszt’s music have recognized the revisions of previous works as a central part of his creative output. These revisions have caused considerable debate over how they should b...
Venerable Style, Form, and the Avant-Garde in Mozart’s Minor Key Piano Sonatas K. 310 and K. 457: Topic and Structure
Venerable Style From the Avant-Garde Mozart’s Minor Key Piano Sonatas K. 310 and K. 457 Topic and Structure
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2014/10/20
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
THE IMPACT OF RHYTHM AND METER ON FORM IN TWO WORKS BY DAVID MASLANKA: MOTHER EARTH: A FANFARE (2003) AND SYMPHONY NO. 8 (2008)
RHYTHM AND METER TWO WORKS BY DAVID MASLANKA MOTHER EARTH A FANFARE SYMPHONY NO
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2014/10/20
For pieces that do not lend themselves to an analysis of form based completely on tonal harmony and thematic material, an analysis based on rhythm and meter can enrich the reading of a piece and prove...
A Geometrical Approach to Two-Voice Transformations in the Music of Bela Bartok
A Geometric Approach Two-Voice Transformations the Music of Bela Bartok
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2014/10/20
A new analytical tool called “voice-leading class” is introduced that can quantify on an angular scale any transformation mapping one pitch dyad onto another. This method can be applied to two-voice, ...
学习杨明先生精神 推动音乐学术阅读活动深入开展——《云南原生态民歌选集》编辑出版带给高校图书馆的启示
云南民族音乐文化 民歌 音乐学术阅读 高校图书馆 启示
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2016/3/10
本文在简介云南民族民间音乐——民歌的基础上,评析了《云南原生态民歌选
集》编辑出版情况及其学术意蕴,略述了作者概况,并结合当前云南高校图书馆服务于“音
乐学术阅读”的现实情况、分析了有利条件和存在的问题,提出了高校图书馆做好“音乐学
术阅读”可采取的办法和途径。
阐释“东、西”概念 厘清文化适融——评杨民康《本土化与现代性:云南少数民族基督教仪式音乐研究》
云南 少数民族 基督教 仪式音乐
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2016/3/10
杨民康的《本土化与现代性:云南少数民族基督教仪式音乐研究》是一部立足于
云南、系统研究少数民族地区基督教仪式音乐的专著,笔者认为,该著填补中国少数民族地
区基督教仪式音乐空白;对于当下学科整合意识的增强起到旁征博引的作用;通过翔实的中
外史料和田野考察厘清了基督教仪式音乐在云南少数民族地区的发展流变等意义。
知识(技能)型音乐审美教育理念与体系构建研究——以王信东《简捷明快音乐教学法》为例
音乐技能 审美教育 肢体表达 评述
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2016/3/10
本文在对王信东《简捷明快音乐教学法》著述研读的基础上,详细解读了该教
学体系中——“知识(技能)型音乐审美教育”这一核心概念的内涵与外延,由此阐释了其
“通过手语教学法培养音乐理解力”、“通过欣赏体验与知识类比学习法培养音乐感受力”、
“通过音乐创编表现学习法培养音乐表现力”等创造性理念的构建途径,以此得到“简捷明
快音乐教学法”是音乐基础教育中审美教育理念和体系建构的一种成功尝试和探索性...