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The mere exposure effect and aesthetic preference. In P. Locher
mere exposure effect aesthetic preference Locher
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2015/8/13
The mere exposure effect and aesthetic preference. In P. Locher.
Mere exposure,reproduction,and the impressionist canon.In A. Brzyski
Mere exposure reproduction impressionist canon Brzyski
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2015/8/13
Mere exposure,reproduction,and the impressionist canon.In A. Brzyski.
The end of art?
end art
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2015/8/13
Martindale (2009) suggests that all of art is coming, or has already come, to an end. Following Hegel’s lead, he suggests that all new art must communicate whilebeingrecognizablynew.Thesetwocriteria—c...
The shape and psychophysics of cinematic space
shape psychophysics cinematic space
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2015/8/13
For the film goer who sits to the front and side of a movie theater, the virtual space "behind"the screen undergoes affine and perspective transformations. These transformations should, one would thin...
Rigidity in Cinema Seen From the Front Row,Side Aisle
Rigidity Cinema Seen Front Row Side Aisle
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2015/8/13
Pictures and cinema seen at a slant present the optics of virtual objects that are distorted and incon-sistent with their real counterparts. In particular, it should not be possible for moving objects...
On the efficacy of cinema, or what the visual system did not evolve to do. In S. Ellis
efficacy cinema visual system did evolve S. Ellis
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2015/8/13
On the efficacy of cinema, or what the visual system did not evolve to do. In S. Ellis.
How the eye measures reality and virtual reality
eye measures reality virtual reality
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2015/8/13
If virtual reality systems are to make good on their name, designers must know how people perceive space in natural environments, in photographs, and in cinema. Perceivers understand the layout of a c...
Perceiving scenes in film and in the world. In J. D
Perceiving scenes film world. In J. D.
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2015/8/13
Perceiving scenes in film and in the world. In J. D.
Attention and the Evolution of Hollywood Film
attention cinema film visual momentum 1/f
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2015/8/13
Reaction times exhibit a spectral patterning known as 1/f, and these patterns can be thought of as reflecting time-varying changes in attention. We investigated the shot structure of Hollywood films t...
Visual Activity in Hollywood Film: 1935 to 2005 and Beyond
film motion movement frames shots
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2015/8/13
The structure of Hollywood film has changed in many ways over the last 75 years, and much of that change has served to increase the engagement of viewers’ perceptual and cognitive processes. We report...
How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film
cinemetrics film acts Hollywood film shots transitions
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2015/8/13
Cinematic tradition suggests that Hollywood films, like plays, are di-vided into acts. Thompson (1999) streamlined the conception of this large-scale film structure by suggesting that most films are c...
The changing poetics of the dissolve in Hollywood film
changing poetics dissolve Hollywood film
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2015/8/13
Most films contain many shots knit together by several types of transitions,andbyfarthemostprevalentisthecut.Overthelast70years, fadesandwipes have become increasingly rare. Dissolves have also dimini...
Quicker,faster,darker:Changes in Hollywood film over 75 years
film motion luminance shot lengths
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2015/8/13
We measured 160 English-language films released from 1935 to 2010 and found four changes. First, shot lengths have gotten shorter, a trend also reported by others. Second, contem-porary films have mor...
A Window on Reality: Perceiving Edited Moving Images
movies visual cognition eye movements memory attention perception space time
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2015/8/13
Edited moving images entertain, inform, and coerce us throughout our daily lives, yet until recently, the way people perceive movies has received little psychological attention. We review the history ...
On Shot Lengths and Film Acts:A Revised View
Shot Lengths Film Acts Revised View
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2015/8/13
In a recent issue of Projections, Cutting, Brunick, and DeLong (2011b) reported that the structure of film acts—the four relatively equal-length stretches of film determined by the progression of the ...