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Bradford Gowen has received national attention since winning first prize in the 1978 Kennedy Center/Rockefeller Foundation International Competition for Excellence in the Performance of American Music...
Dr. Cleveland Page joined the Piano Division in 1992. Prior to his appointment at Maryland, Dr. Page was Professor of Piano at the Cincinnati College-Conservatory of Music, where he had been Professor...
Rita Sloan is acknowledged internationally as a leading teacher of piano, collaborative piano and chamber music. In 1999, she was appointed a piano faculty member and director of the collaborative pia...
Steinway Artist, Mayron Tsong, has been taken by her performances around the globe to almost every state in the continental United States, as well as Canada, Russia, Sweden, Italy, Taiwan, Hong Kong a...
School of Music at University of Maryland     School of Music at University of Maryland  scholar  performer  educator  arts       font style='font-size:12px;'> 2015/12/23
The University of Maryland School of Music is dedicated to offering undergraduate and graduate musicians conservatory training, while emphasizing the importance of the combined scholar, performer, edu...
Music and Language Syntax Interact in Broca’s Area: An fMRI Study     fMRI Study  Language Syntax Interact       font style='font-size:12px;'> 2015/12/18
Instrumental music and language are both syntactic systems, employing complex, hierarchically-structured sequences built using implicit structural norms. This organization allows listeners to underst...
Categories and boundaries in speech and music     Categories  boundaries  speech  music       font style='font-size:12px;'> 2015/8/14
Perceptual categories and boundaries arise when Ss respond to continuous variation on a physical dimension in a discontinuous fashion. It is more difficult to discriminate between members of the same ...
Sawtooth waves differing only in rise time are identifiableas plucked or bowed notes from a stringed instrument. We previously reported (Cutting & Rosner, 1974) that these nonlinguistic sounds are per...
Neal Zaslaw began his musical career the 1960s as flutist in Leopold Stokowski’s American Symphony Orchestra. Between 1978 and 1982 he supervised recordings of all of Mozart’s symphonies by Jaap Schro...
David Yearsley was educated at Harvard College and Stanford University, where he received his Ph.D. in Musicology in 1994. At Cornell he continues to pursue his interests in the performance, literatur...
James Webster is the Goldwin Smith Professor of Music at Cornell University. He specializes in the history and theory of music of the eighteenth and nineteenth centuries, with a particular focus on Ha...
In her work as a music historian and keyboard player, Annette Richards draws on her training in English literature, art history, musicology, and musical performance. Musical and visual aesthetics and ...
Peraino’s publications include articles on medieval secular songs and motets; Henry Purcell’s opera Dido and Aeneas; the rock artists Blondie, David Bowie, and PJ Harvey; and early synthpop. She is th...
Rebecca Harris-Warrick brings to her primary specialization in the field of French baroque music an interdisciplinary background in musicology, performance, dance history, and literature. Her research...
Professor Arthur Groos,Department of Music at the Cornell University(图)     opera  text-music       font style='font-size:12px;'> 2015/8/7
Arthur Groos is Avalon Foundation Professor in the Humanities and Professor of German Studies, Medieval Studies, and Music at Cornell University, where he has taught since 1973, having served as Direc...

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