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[1] There is a growing number of textbook choices for instructors of sixteenth-century counterpoint courses. This growth is good because it allows for several different approaches, depending on what t...
The third movement of Thomas Adès’s string quartet Arcadiana features a complex, free textural counterpoint that seems resistant to the transformational analysis of the common sort that focuses, as do...
Review of David Yearsley, Bach and the Meanings of Counterpoint     Bach  counterpoint  musicology  18th-c. culture       font style='font-size:12px;'> 2010/3/25
[1] About thirty years ago I attended a lecture in which Bach's experience as a Latin teacher was adduced to show that he would have been aware of rhetorical strategies and used them in his music. I w...

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