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The practical implications of applying a theory of practice based research: a case study
theory research a case study
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2009/11/20
Scrivener (2002) argues that the proper goal of visual arts research is visual art, and that visual arts research should be conceived as being concerned not with original investigation undertaken in o...
Isadora as a means of composing：A detailed discussion of the potential implications of implementing new technologies within pedagogy
Isadora pedagogy technologies
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2009/7/15
By considering the ‘philosophical and aesthetic challenges presented by some of the work now combining dance with new technologies’ (De Spain 2000:2) this paper draws on the findings of a research pr...
Therapy as Empowerment——Clinical and Political Implications of Empowerment Philosophy in Mental Health Practises of Music Therapy
Clinical Therapy Mental Health Practises Music Therapy
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2008/11/5
In this article the clinical and political implications of empowerment philosophy are elaborated with music therapy practices in mental health services as the point of departure. The concept and the p...
Thoughts on “Experience of Space in Japan.” Implications for Music Therapy
Experience of space Music Therapy
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2008/11/5
This article presents thoughts on the experience of space, developed from a research study I have been doing during two years immersed in a very singular context where the familiar university environm...
Expanding from Hospital to Home Based Care: Implications for Music Therapists Working in Palliative Care
Music Therapists Palliative Care
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2008/11/5
The focus of health care within Australia is shifting. Health care programs, traditionally the domain of large hospitals, are increasingly becoming community based. As music therapists, we need to be ...
Binary Oppositions in Arnold Whittall's Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis
Whittall analysis criticism aesthetics Modernism Schoenberg Moses
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2010/3/29
Arnold Whittall's Exploring Twentieth-Century Music (Cambridge, 2003) posits a set of binary oppositions (Tradition-Innovation, Apollo-Dionysus) as foundational for twentieth-century compositional tho...