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Event segmentation and seven types of narrative discontinuity in popular movies
Events Film style Movies Narrative Scenes Segmentation
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2015/8/13
Usingasampleof24moviesIinvestigatenarrativeshifts inlocation,characters,andtimeframethatdoanddonot align with viewer segmentations of events (scenes and subscenes) in popular movies. Taken independent...
Re-Presentations of Space in Hollywood Movies:An Event-Indexing Analysis
Re-Presentations Space Hollywood Movies Event-Indexing Analysis
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2015/8/12
Popular movies present chunk-like events (scenes and subscenes) that promote episodic, serial updating of viewers’ representations of the ongoing narrative. Event-indexing theory would suggest that th...
Shot Durations,Shot Classes, and the Increased Pace of Popular Movies
Shot Durations Increased Pace Popular Movies
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2015/8/12
We investigated historical trends of mean shot durations in about 9400 English language and 1550 non--‐English--‐lan...
The Framing of Characters in Popular Movies
Aspect ratios characters Hollywood style fixations, movies
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2015/8/12
I investigated the number and locations of characters as they appear on the screen in 48 popular movies released from 1935 to 2010. Sampling an average of one of every 500 frames (～20 s of film)I amas...
Movies and Meaning:Studying Audience,Fiction Film and Existential Matters
Film audience meaning-making existential matters religion social cognition
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2009/11/27
In what ways and under what circumstances can a movie be a resource for individuals and their thoughts about existential matters? This central research question has been investigated using a both quan...
Impractical Pragmatics in Doing Philosophy at the Movies
Impractical Pragmatics Philosophy at the Movies
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2009/11/25
Richard A. Gilmore’s Doing Philosophy at the Movies is based upon a series of articles that
have appeared in the journal Film and Philosophy over the last few years1. The essays have
been updated an...
Grader of the Lost Sharks:Warren Buckland Considers Spielberg’s Overlooked ‘Monster’Movies
Lost Sharks Warren Buckland ‘Monster’Movies
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2009/11/25
Warren Buckland opens his perceptive monograph on Steven Spielberg’s blockbusters by
explaining what it is not. Neither biography, production history, nor even an interpretative
analysis of Spielber...
Christopher Falzon (2007) Philosophy Goes to the Movies:An Introduction to Philosophy (Second Edition)
Christopher Falzon Philosophy Introduction to Philosophy
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2009/11/25
Christopher Falzon describes the aim of his book, now in its second edition, as being to introduce some of the ideas and arguments that have preoccupied philosophers over the years, drawing on films a...
Memory and Morals in Memento:Hume at the Movies
Memory Morals Memento Hume at the Movies
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2009/11/24
One February night in San Francisco, a man named Leonard Shelby walks into his bathroom
to find his wife being sexually assaulted. In the ensuing confrontation, he kills the assailant,but sustains a ...
Schoenberg at the Movies: Dodecaphony and Film（图）
twelve-tone method Opus 34 commutation test Frankenstein cinema
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2010/4/22
Composers used the twelve-tone method in film scores
from the 1950's and 60's. This essay, however, focuses on a much
earlier work: Schoenberg's *Begleitungsmusik zu einer
Lichtspielszene,* Op. ...