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The effect of varying light intensities on color and form     Different  light  intensity  effect  color  form       font style='font-size:12px;'> 2014/11/17
The effect of varying light intensities on color and form.
This thesis proposes a methodology for understanding the form of a Baroque prelude, particularly the preludes to the Six Suites for Unaccompanied Violoncello written by Johann Sebastian Bach. Four mus...
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
For pieces that do not lend themselves to an analysis of form based completely on tonal harmony and thematic material, an analysis based on rhythm and meter can enrich the reading of a piece and prove...
Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Hay...
At time of writing, fourteen Ganime titles have been released since the project was launched at the end of May 2006. Each work exhibits a different drawing technique, visual style and represents vario...
Knowledge central to the generation of form      Knowledge  form        font style='font-size:12px;'> 2009/11/20
It seems to me that in art and design research the main problem is perhaps not to contribute to knowledge a new perspective, an original thought, a deeper understanding in the field of study, because ...
The art object does not embody a form of knowledge      art  knowledge        font style='font-size:12px;'> 2009/11/20
The Research Assessment Exercise recognises some activities of artists as research activities. However, the lack of widespread agreement on the theoretical foundation of this position has engendered a...
《Lessons in Music Form》(图)     Lessons in Music Form  Percy Goetschius       font style='font-size:12px;'> 2009/7/3
Excerpt sregard of its commas, colons, and other marks of "cadence." * * * * * * Another evidence of Form in music, that is at once subtle and powerful, rests upon what might be termed the lin...
Berg’s “Schlafend trägt man mich,” the second song of his Vier Lieder Op. 2, is often understood to reflect the transition between the composer’s tonal and free atonal periods. This paper summari...
If Grazyna Bacewicz's music is so "conservative" and "neoclassical," why is it so difficult to define the beginning and ending of the Development in one of her best-known works, the first movement ...

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