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Reporting on Music Therapy in Kenya     Traumatized Refugees  Music Therapy  Kenya       font style='font-size:12px;'> 2008/11/21
Traumatized Refugees in Kenya There are approximately 500,000 refugees living in Kenya today, with approximately 20,000 children attending formal education in about twenty refugee schools. These chil...
Music Therapy in South Africa:Compromise or Synthesis?     Music Therapy  South Africa  Compromise or Synthesis       font style='font-size:12px;'> 2008/11/21
My neighbour at Pretoria University Music Department is Meki Nzwei. Master drummer and music ethnologist, he speaks with passion and authority as befits an elder in Africa. We disagree on many things....
Music Therapy Growth in Japan:The Richness and the Confusion of Transition     Music Therapy  Growth  Japan  Transition       font style='font-size:12px;'> 2008/11/21
Looking back, my roots of stepping into the field of music therapy go back to the midst of a pilgrimage in my late younger years, seeking the path of "the essential of human-being". This root of "bein...
New Zealand and Music Therapy A Synopsis of a New Scene     New Zealand  Synopsis of a New Scene  Music Therapy       font style='font-size:12px;'> 2008/11/21
As Australasian editor for this publication I hesitated at this stage to write on behalf of Australian colleagues, hence the focus on New Zealand and music therapy. Later, when informed links have bee...
Music Therapy in South America     Music Therapy  South America  aboriginal people       font style='font-size:12px;'> 2008/11/21
Music is one of the most important and strongest types of cultural expression in South America. With diverse roots in the myriad of cultures of the many countries which shape our continent, music cont...
Music Therapy in Israel     Music Therapy  Israel  Historical Perspective       font style='font-size:12px;'> 2008/11/21
This article describes the main discourse that I believe goes on in music therapy in Europe and other countries around the world: professional issues (registration, standards and licensing) and the de...
Music and Politics on Disc, 2007     Music  Politics  Disc       font style='font-size:12px;'> 2008/11/21
As was the case last year, this list pretends to be nothing more than a survey of some recordings connected in some way to the intersection of music and politics, making no claims to be either compreh...
The Spanish Civil War (1936-1939) put an end to the Second Republic and replaced it with an authoritarian, militarist, para-fascist regime commanded by General Francisco Franco. The musical life suff...
This article describes approaches to a ten-week, two-unit elective course (in the category of “Freshman Discovery Seminar”) offered at the University of California, Santa Cruz, during the winter q...
Triumph of the Will, Leni Riefenstahl’s film documenting a 1935 National Socialist rally in Nuremberg, has become iconic of Nazi Germany. Its footage frequently serves as a repository for images of t...
Music and Politics on Disc, 2006     Music  Politics  Disc       font style='font-size:12px;'> 2008/11/21
Compiling a list of recordings connected to music and politics is a daunting task, both because of the enormous volume of recorded sound released in a given year, and because of the many possible defi...
Music and Politics:A Class for Non-Majors(图)     Music  Politics  Non-Majors       font style='font-size:12px;'> 2008/11/21
My introduction to music and politics originated from a pedagogical need: I was scheduled to teach a class at the UC Center in Washington, D.C., and my colleague at the time, Michael Beckerman, sugges...
Music in Concentration Camps 1933–1945(图)     Music  Concentration Camps  1933–1945       font style='font-size:12px;'> 2008/11/21
It would be wrong to reduce the “Music of the Shoah” (Holocaust/ churbn) to the Yiddish songs from the ghetto camps of Eastern Europe or to the multiple activities in the realm of classical or Jewish ...
In preparing for their death, patients with terminal illnesses may express a need to explore and confirm their identity in terms of their familial, social, cultural and ethnic heritage. This paper exa...
We come to music therapy with musical expectations. Clients do. Therapists do. We come to music therapy with expectations colored by our personal history of music, which is - of course - embedded in c...

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