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The benefits of music for the brain
music brain
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2015/6/1
While it is clear that the power of music reflects its ability to activate the emotional and reward networks of the brain, its influence extends beyond this through its capacity to integrate multiple ...
Th affctive properties of keys in instrumental music from the late nineteenth and early twentieth centuries
keys in instrumental music the late nineteenth early twentieth centuries
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2014/10/20
The concept of affective properties of keys is based on the assertion that different tonalities are able to provide particular moods to music. Discussions regarding the existence and validity of this ...
"A Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella
A Music Unquestionably Italian in Idiom Nationalism an Evolutionary Process the Music of Alfredo Casella
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2014/10/20
Little scholarship exists about the extent of musical nationalism in the works of twentieth-century Italian composer Alfredo Casella (1883-1947). Casella’s output, which is divided into three stylisti...
A Geometrical Approach to Two-Voice Transformations in the Music of Bela Bartok
A Geometric Approach Two-Voice Transformations the Music of Bela Bartok
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2014/10/20
A new analytical tool called “voice-leading class” is introduced that can quantify on an angular scale any transformation mapping one pitch dyad onto another. This method can be applied to two-voice, ...
The goal as process:music and the search for the Self
active imagination analytical music therapy improvisation individuation process music piano lessons
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2014/2/27
The goal as process:music and the search for the Self。
Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
analysis classical style Schoenberg Ratz Formenlehre
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2010/3/29
Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Hay...
"The Body that Beats": Review of Harald Krebs, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann
Harald Krebs Robert Schumann metrical dissonance rhythm and meter
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2010/3/29
[0.1] In Schumann's Kreisleriana, I actually hear no note, no theme, no contour, no grammar, no meaning, nothing which would permit me to reconstruct an intelligible structure of the work. No, what I ...
The Development of Chinese Piano Music
Piano music Chinese music Development History
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2009/12/1
Many Chinese pianists, Lang Lang and Yun-di Li for example, received international recognition in recent years. When study the history of piano study and composing in China, it is not surprising that ...
The Sound of Time is not tick tock: The Loop as a Direct Image of Time in Noto’s Endless Loop Edition (2) and the Drone Music of Phill Niblock
The Sound of Time is not tick tock The Loop as a Direct Image of Time Noto’s Endless Loop Edition (2) the Drone Music of Phill Niblock
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2009/11/27
There are, in Gilles Deleuze and Felix Guattari’s formulation, two possible ways to conceive of time. There is, firstly, “Chronos: the time of measure that situates things and persons, develops a form...
The Two Golden Ages of Animated Music Video
The Two Golden Ages Animated Music Video
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2009/11/27
Music videos have been being made since the mid 1960s and had their breakthrough in the mid 1970s. Since then it has been the main marketing tool for breaking new pop and rock artists in the internati...
Nation, Liberalisation And Film Songs：Technology And Hybridisation In Contemporary Hindi Film Music
Film Songs Hybridisation Technology Contemporary Hindi Film Music
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2009/10/16
This paper seeks to study some exemplary ways in which sophisticated audio processing and packaging technologies have been incorporated into the aesthetic of Hindi film songs in the post-90s period, e...
Anonymous I and Prologus in tonarium：Changing Interpretations of Music Theory in Eleventh-Century Germany
Music Theory Eleventh-Century Germany Changing Interpretations
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2009/10/16
This article examines the relationship between Prologus in tonarium by Abbot Bern of Reichenau (d. 1048) and the eleventh-century music treatise known today as 'Anonymous I' (first published by Dom. M...
Harry White, The Progress of Music in Ireland (2005)
Harry White Ireland Progress of Music
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2009/10/16
Harry White, The Progress of Music in Ireland (2005)。
Gerry Smyth, Noisy Island：A Short History of Irish Popular Music (2005)
Gerry Smyth Irish Popular Music Noisy Island
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2009/10/16
Gerry Smyth, Noisy Island：A Short History of Irish Popular Music (2005)。
Paul Collins, The Stylus Phantasticus and Free Keyboard Music of the North German Baroque (2005)
Paul Collins North German Baroque Free Keyboard Music
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2009/10/16
Paul Collins, The Stylus Phantasticus and Free Keyboard Music of the North German Baroque (2005)。